Archive for the ‘the writing life’ Category

Western Australian of the Year

Tuesday, June 5th, 2012

Great news that my colleague at Curtin University, Professor of Writing Kim Scott, has been named inaugural Western Australian of the Year. Kim, of course, is a multi-award winning author. His latest book is That Deadman Dance. But the novel of his that transformed my own thinking about Noongar people was Benang.

Kim is also very active in Indigenous communities, particularly around language recovery. His work on the Wirlomin Noongar Language and Stories project is fantastic. I had the opportunity to read Mamang, a story about a man and a singing whale – it’s a lovely book.

It’s a real pleasure to have Kim in our School at Curtin; I think he may be the first Indigenous full Professorial appointment at Curtin. Roll on diversity! At work he is modest and friendly – which might be rare for someone who is so successful.

That Denmark Vibe

Monday, May 7th, 2012

I have just come back from a weekend in Denmark (WA) where I gave two author talks and ran a one day workshop. I’ve visited Denmark often and always enjoyed my time there, but this was particularly special.

Around 70 people attended the talks and 20 participated in the workshop, surely a sign that Denmark and environs are extraordinarily bookish places! People listened with such respect and warmth, asked interesting questions and gave wonderfully encouraging feedback.

The writers at the workshop ranged from a mother of toddlers to an 84 year old, all producing fantastic ideas and prose. It was inspiring to be among such enthusiastic and engaged writers and readers.

There were moments of surprise and humour, too, courtesy of an unexpected visitor to Tea House Books. And, of course, there was time to sample delicious local wine and food.

All credit to Denmark Arts, the Shire of Denmark, the Denmark Library and Writing WA for their work making such events not only possible but also so positive.

Becoming a mother

Sunday, April 29th, 2012

Thousands of people do it. I’ve written a book about it. But still, I’m not sure how one becomes a mother.

I don’t think it happens the moment you give birth or adopt a child. Biologically, yes, but in every other way it takes time to learn to mother. Does it happen during that first year of milky sleep deprivation, of joy and amazement, of confused helplessness in the face of pure dependency? Or does it happen more slowly, over the years, a gradual stretching and turning inside out of the self, a transformation both profound and subtle? It is so common, perhaps, that we hardly notice it and the process of reconfiguration remains mysterious.

Certainly, all those books about how to be a good mother, the parenting courses, the advice websites – none of these approach the actuality of becoming a mother. They simply tell us how society thinks we should act as mothers and provide a place for sharing tips on how to manage children. They’re useful, but every woman must learn her own way to become a mother, just as every child will develop into their own individuated self.

Some people would argue I’m expressing a very romantic view of mothering here, describing it as mysterious and transformative. But in fact, I think that it is all the “how to” books that are based on motherhood as an ideal. I am more interested in the real experience of mothering as a complex, ongoing encounter with the self, an encounter of pain as well as pleasure, but an encounter that is always a gift.

A conversation on neurodiversity

Tuesday, March 13th, 2012

When I was reading Gail Bell’s review of Robert Dessaix’s latest book in the Monthly, I was struck by this quote:

‘What I am best at is giving my readers a sense of intimacy with me. I say, come and sit with me for a few hours and we’ll have a conversation in which I want you to talk back to me. I have a kind of “don’t you think?” at the end of my sentences.’

I so agree – he is brilliant at creating an intimacy with his readers. And it struck me that this intimacy is something people seem to value more in non-fiction writing these days. It’s what I strive for in my writing, particularly in writing about topics like mothering and autism.

I wrote the book to be part of a larger discussion about autism, about difference, about neurodiversity and how we can parent from a perspective that values neurodiversity.

Already, I have had some feedback from readers who joined this discussion with their own thoughts and comments and questions.

Adapting the Dessaix quote, I would say that I have a kind of “what do you think?” at the end of my sentences.

International Women’s Day

Thursday, March 8th, 2012

In honour of International Women’s Day, here are a few of my favourite memoirs by women, books I come back to read again and again.

Poppy by Drusilla Modjeska – a wonderful ‘fictional memoir’ about her mother, beautifully written and multi-layered.

Voice Lessons: On Becoming a (Woman) Writer by Nancy Mairs – a set of essays exploring writing, feminism and disability, written in the distinctive voice of all Mairs’ work.

The Writing Life by Annie Dillard – a wise exploration of the life of a writer by a supremely talented stylist.

Stasiland by Anna Funder – perhaps not really a memoir, but an extraordinary book of creative non-fiction exposing the often untold stories of the East German secret service before the fall of the Berlin Wall.

International Women’s Day and my own first book launch have also made me think about the value of having other women writers as friends and mentors.  Luckily, I can honestly and wholeheartedly recommend the books of two colleagues who have been great mentors to me.

Beneath the Bloodwood Tree by Julienne van Loon – a dark and engrossing story about love, loss and secrets.

Last Chance Café by Liz Byrski – an engaging novel about women, ageing, consumerism and relationships.

Happy International Women’s Day!

Five tips for memoir writers

Sunday, March 4th, 2012

One of my students asked me to nominate my five top tips for writing a well crafted memoir.  At first, I was going to say that you can’t cover the topic in five dot points, but then I decided to view the question as a challenge.  So, here goes:

  1. Shape your memoir around scenes.  Add summary and reflection later.  Scenes help your reader connect and engage with the story.
  2. Cultivate your own voice on the page.  This takes time and lots of rewriting but when you have found your memoir voice, then the reader starts to trust you.
  3. It is not the events in your life that matter but the meaning you make of them. That doesn’t mean you can lie about the events; it just means you have to do more than report events.
  4. Leave stuff out.  It’s hard, I know, but don’t be like the bore who tries to tell you over breakfast each morning everything that happened in his dream the night before.  Select.  What you choose helps you follow tip number 3.
  5. Work with dual vision.  When you write about yourself, one part of you is the narrator, one part is the subject of the story.  Use that double vision to reflect back on your own life and create a layered story for the reader.

Anyone got any other quick tips to add here?

Missing Ramona Koval

Wednesday, February 29th, 2012

Last weekend, I had the privilege of being on a panel at the Perth Writers Festival with Ramona Koval (author and broadcaster) and journalist Imre Salusinszky to talk about the familiar or personal essay.  This is a form I love to read and write and I was delighted as part of my preparation to read Walter Murdoch’s essays (made available in a new volume edited by Imre) and the latest Best Australian Essays 2011, edited by Ramona. 

With Delys Bird as chair, we ended up having a really lively discussion, and the large audience got involved in the debate.  Who are our favourite essayists?  Are blogs the modern-day personal essays? How long or short can an essay be?  All these were contested issues.  What did not seem to be contested was that we all miss The Book Show, which was, until last November, hosted by Ramona Koval every weekday morning.  Many people came up and spoke to Ramona, telling her they loved the show and missed it and her.

I must admit, I have not had time to listen to the replacement radio program, which covers the arts generally as well as writing.  I look forward to podcasting some of it soon. 

Back to the personal essay, my favourite ones in this year’s Best Australian Essays were by Gillian Mears (brilliant piece), Morris Lurie, Maria Tumarkin, Andrew Sant and Shakira Hussein.  All well worth reading.

Good advice for a first book launch

Thursday, February 23rd, 2012

Two weeks until the official launch of my book; two days until my Perth Writers Festival talks.  A first book release is something pretty special – and exciting.  Its also a tad nerve-wracking.

But don’t worry, I’ve had lots of good advice from my friends:

1. Always prepare a talk in advance, even if you’re told the event will be very casual and you don’t have to – you don’t want to look like an idiot.

2. Never read a prepared talk – just wing it and you’ll look confident. (Yes, I know, hard to work with both of these.)

3. Wear more make-up so you’ll look good in photos.  (This was followed by a lesson – it is a sad but true fact that I am no expert in the make-up stakes. Wonder why not? Photos! I  never thought about that.)

4.  Get a friend to bring their camera to your book launch. (I’m not dopey, I was getting there.)

5. Make sure you have your hair done. (Well, lucky I happened to have a cut scheduled just a week ago. I’m ignoring the concept that having your ‘hair done’ might refer to a wash and blow dry just for that special day.  Its starting to feel slightly more like a wedding than I had planned!)

6. ‘I know how you feel.  Everytime you talk in public, its just another opportunity to make a fool of yourself.’  (Okay, so that’s not really advice, but I took the point – my friend was being empathic.)

7. ‘Don’t be nervous. Just think: you could be a stand-up comedian doing a Friday night session at the local pub.’ (That’s not advice, either, unless you construe it as advice to avoid comedy nights, something I already do.)

8. Read from your book, people like that.  (Now we’re getting somewhere.)

9. Don’t read from your book, people don’t like it.  (Oh well, maybe not.)

10. Be yourself.  (In theory, good advice – I say it to my son quite often.  Mind you, now I’m on the receiving end, I realise its a pretty unimpressive thing to say to someone anxious.)

‘I’m a little nervous about these talks this weekend’, I say to Ben.  ‘Probably like when you gave your presentation at school last year.’ (Which incidentally was on his favourite pastime – writing stories.)

‘You’d better take some visual material and plan a kinaesthetic activity, then,’ he says kindly.

‘Oh dear,’ I reply, ‘I don’t have anything like that!’

‘Don’t be negative, mum.  Put on your postive glasses.’  (That’ll teach me to use cognitive behavioural therapy techniques with him, won’t it.)

‘I’m sure it’ll be fine,’ I say, ‘I’ll just be honest and say what I feel.  You can’t go wrong with honesty.’

He looks at me for a moment as if he’s going to make a rejoinder (what he calls a ‘talk back’) but then wanders off to do something interesting on his iPad.  It must be a bit confusing for him because only an hour ago I praised him for telling a white lie to someone to avoid hurting their feelings and now I’m saying that being honest is always right.

Ho hum, I can’t give decent advice, either.

‘Even though I’m autistic…’

Wednesday, February 8th, 2012

Well, we’ve had early-bird copies of my book for two weeks and my son’s copy is starting to look well-loved.  He carries it with us in the car driving to school and reads me bits out loud. Then he says, ‘Aren’t you impressed that a boy who used to confuse his pronouns and was obsessed by numbers is now a School Councillor?  And I won’t be mean to younger children like some boys are.  Even though I’m autistic, I can still be a School Councillor.’

Maybe he’ll be a good School Councillor because he’s autistic.  I’m sure he’ll be great at remembering the school rules and ringing the siren exactly on time.  There was recently some press coverage of Tim Fischer, suggesting he was certainly Australia’s first autistic deputy prime minister.  I liked the letter printed in The Austalian from John Toohey that responded to the original article and suggested that one of Tim Fischer’s strengths was probably his autism and the original vision that gave him.

Wouldn’t it be great if there were more everyday heroes and role models with autism for people like my son to read and hear about?